ELEVATION NATION

This 6 infographic series for Microsoft, part of an overall multi-million dollar buy, was to illustrate Microsoft cloud solutions in a way that would be more impactful than your everyday b2b blah blah.

Concepted, illustrated and animated blockchain Explainer video for CNET.It preformed extremely well, both on site (article page) and on youtube, and set the bar for animation quality on CNET. This piece directly resulted in 2 hires, as after seeing this the head of video said “We need 2 of these a week!”

We delivered an animated mock of a scrolling takeover for P&G as an RFP, and the client liked it so much that they bought it as is, as a part of a 2 million dollar buy. As a result, I built it and it went live. It was a huge victory. 

In a rare instance, the client (Comedy Central) loved the RFP so much, they had us use the creative we built, instead of their own team. We proposed it, sold it through, built it and made it a real thing in the wild, running as a home page takeover.

One of 4 seasonal infographics purchased by Coldwell Banker. We designed them, and oversaw the design/art direction/copywriting of all native and social drivers, ensuring a cohesive and effective visual campaign. 

Conceptualized, illustrated and animated 30 minute fully animated film for composer Adrian Younge's 2016 album, "Electronique Void". An additional challenge for this project was that it had to double as visual accompanyment for his live show. Therefore it had to be a standalone narrative as well as an ambient accent. 

View the full length film here

Conceptualized and executed "low tech" hand drawn stop motion treatment of CBS Interactive's web properties. It currently is displayed in the lobby of every CBS building.

We ideated a way to make the somewhat dry B2B topic of cyber security more interesting and appealing by integrating sporadic animated pieces in 60's Saul Bass Style. In addition to the concept, we completed all initial design/title cards and animations of the all 3 videos. The client loved the idea so much, they ended up using that design style for many of their following non-related ad campaigns. Coincidence? I think not. :)

RFP'd, sold through, and built full page animated takeover (never been done before at the time) for the movie "Skyline" on CBS.com

VIEW LIVE PRESENTATION HERE

A never been done before seamless video presentation I created for CBSi's Studio 61's presentation at the 2017 IAB branded content summit. The presentation was a huge success, with the IAB saying they'd never seen a presentation like this before. While everyone was clicking through traditional start-stop Powerpoints, Studio 61 brought down the house with this 3d fly-through seamless animation. I ideated this solution, designed/animated it, and built it. 

Elevation Nation presents an original medium for design -  on-record phonotropic artwork that comes to life, animating when viewed in a camera/phone in direct light (The more direct light the better - see below for details). Leveraging illustration, animation and video footage, we can present your music in a truly impactful one of a kind way. 

These records give their listeners/viewers a truly unique bonus value, adding an extra layer of visual stimuli to the beloved physical act of playing a record. Marrying art, music, and technology, these records promise to be on-going treat for Hip-Hop heads, vinyl heads, and tech-heads alike.

For a quote on these records, either in quantities of 200, 500, 1000 or more, email Justin at jus937@gmail.com

Killing the dinosaur of PowerPoint, we developed many custom pitches at CBS, that broke the traditional "stop and start" style of presentation to create a seemless, cohesive presentation that also served as a high-impact leave behind - especially on mobile. Here is one for Royal Caribbean. 

View the presentation here

Working with the Sales and Native/Branded Content Design team (Studio 61) at CBS Interactive for the last 6 years, We have redefined the visual approach to all pre-sale materials, raising the bar on RFP sell through with dynamic animated mocks and sizzle reels. Below are some of my pre-sale home page take over mocks presented in RFP responses, all of which were sold through.

As a part of CNET's special reports, we were called on to animate pieces to be used as page breaks in the stories, creating a new kind of immersive storytelling, while providing a endless sandbox for an advertiser to play in and create their own custom ad messaging.

View the story here:

Designed and built custom branded content page for Motorola's MotoMods campaign from wireframe to full build. This page was in response to a need to devise an engaging method of housing and displaying a 6-video series of branded content pieces for Motorola, by Studio 61, CBS's branded content arm. The page utilizes scrolling reveal functionality and autoplay video to create a cohesive experience, leading the viewer from one video to another. 

See the page here:

Read some press we got on it here:

Leading the Sales and Native/Branded Content Design team (Studio 61) at CBS Interactive for the last 6 years, we have redefined the visual approach to all pre-sale materials. This includes re-designing all sales deck templates (PPT) company wide on all CBSi B.U.’s (CNET, Gamespot, TVGuide, CHOW, LAST.FM, ZDNet, CBSSPORTS.com, CBS.com etc), and leading innovation on non-linear presentation methods to move on from the restraints of powerpoint.

Killing the dinosaur of PowerPoint, we developed many custom pitches at CBS, that broke the traditional "stop and start" style of presentation to create a seemless, cohesive presentation that also served as a high-impact leave behind - especially on mobile. Here is one for LG's Signature line. 

View the presentation here

Directed, animated, shot, and in some cases, musically produced by us. 

As properties are evolving their idea of a "takeover" past that of static skins, new possibilities have emerged in telling a truly immersive story. One of those that we helped to usher in at CNET was that of the video wall - a video treatment that couches the content of the page into the middle of the visual experience. 

Conceived and executed an animated opening for "Modern Kitchen" on Chow.com.

We became the primary asset for sizzle reel creation throughout CBS's internal network. Scroll below to see a few. 

Product integration is about choice - making the right choice, targeted for best results, ROI for both parties. It's a balancing act between highlighting product while maintaining the integrity of the parent content owner's brand. Below is an example of a targeted product integration between bay area hip-hop institution, Hieroglyphics and new reigning hip-hop royalty Joey Badass and Pro Era. Hiero's goal was to get increased exposure for their clothing brand to the new generation of hip-hop fans, and with nearly 14.5 million views that was a resounding success. 

See video here

For the last 6 years we have been responsible for the design, quality control and user experience of all ads that ran on CNET.COM, GAMESPOT.COM, TVGUIDE.COM, CHOW.COM, and all other CBS Interactive properties, leading the sales design and branded content team, dancing the line between keeping the advertisers happy, and maintaining site-side integrity and brand voice. 

In our 17 years in design, We have designed/developed ads for everyone under the sun, staying at the forefront of the industry, from the heights and death of flash, to parralaxing storytelling ads and webGL. My clients include: GOOGLE, SAMSUNG, HTC, APPLE, AT&T, DURACELL, BEST BUY, LG, SOUTHWEST, HONDA, SUBWAY, MCDONALDS, GHIRADELLI, VISA, USPS, P&G, MICROSOFT, STANFORD UNIVERSITY, ZEISS, COMEDY CENTRAL, HBO, SHOWTIME, DISCOVERY CHANNEL, FORD, TVGUIDE, QUALCOMM, COMCAST, VERIZON, SPRINT, CBS, MTV, T-MOBILE, TROLLI, CREST, TIDE, EA SPORTS, NAMCO, NINTENDO, SEGA, PLAYSTATION, XBOX, PIZZA HUT, KFC, LITTLE CEASERS, ATLANTIC RECORDS, CAPITOL RECORDS, SONY, UNIVERSAL, DEF JAM, STRANGE MUSIC, RAKIM, SNOOP DOGG, E-40, J-DILLA, HIEROGLYPHICS, DILATED PEOPLES, BECK, DELTA SPIRIT, TECH N9NE, ALCHEMIST, ROC MARCIANO, BEANIE SEAGEL, ICE CUBE, LITTLE BROTHER, ABB RECORDS, SAAFIR, JAY-ROCK, LIL B, THE PACK, STRONG ARM STEADY, DEFINITIVE JUX, ADRIAN YOUNGE, TOO SHORT AND MORE.

We helped re-think and define how the mobile versions of CBS's web properties displayed and distributed ad products, and best practices for pitching and selling through mobile ads. This includes managing/selecting emerging technologies to be used, user experience and overall art direction/design while maintaining the integrity of the brand and reaching the goals of the advertiser. I helped to evolve CBS's mobile ad offerings from static ads to those that were expanding, interactive, animated, and engaging. I also helped determine best use cases for native ad integration on all pages of CBS's mobile sites, as well as for display of branded content (video, articles, and infographics.)

2016 Roadshow Social Cuts:

1/11 - 2/29

Impressions:  8,347,754

Clicks:  33,896

CTR - 1.63%

Uniques:  9,178

Visits:  9,496

Page views:  14,364

Concepted and created animated show open for "Makers" on Chow, presented by lexus. 

Worked with CBS Marketing Department to concept, design and animate party visuals for CES 2015 CNET afterparty with Snoop Dogg. 

Worked with CBS Marketing Department to concept, design and animate visuals for 2016 CNET CES after party with _Beck.

Homepage takeover on CNET for Gorilla Glass. 

Home page takeover for Netflix on TVGuide.com.

Parralaxing takeover (first of it's kind on CNET) for Fit Bit. 

As a part of CNET's fiction series, we were called on to animate pieces to be used as page breaks in the stories, creating a new kind of emersive storytelling.

View the story here:

As a part of CNET's fiction series, we were called on to animate pieces to be used as page breaks in the stories, creating a new kind of emersive storytelling.

View the story here:

As a part of CNET's fiction series, we were called on to animate pieces to be used as page breaks in the stories, creating a new kind of emersive storytelling.

View the story here:

As a part of CNET's special reports, I was called on to animate pieces to be used as page breaks in the stories, creating a new kind of immersive storytelling, while providing a endless sandbox for an advertiser to play in and create their own custom ad messaging.

View the story here: